Writing the Script

This week, my group completed our script, making a significant milestone as we now have a solid foundation to build upon for our storyboard and shot list. With the dialogue already in place, we have a clearer vision for how we want the shots to look, which will make the next steps much smoother. As the director, I want to ensure that everyone's ideas are reflected in the film, so while writing the script, I had to word the dialogue in a way that reflects everyone's vision, rather than just picking one person's idea. 

Although our dialogue is pretty much solidified, I want to revisit the script with my group to add some notes on the tone we want to convey. For example, one of the first scenes is a phone call between best friends. This phone call could be delivered with a tone of worry, depending on how our actor interprets their lines. Alternatively, it could come across as more neutral, just two friends chatting before a date. Personally, I lean towards the second option, as it would emphasize that neither friend expected something serious to happen. However, when my group meets again, I will ask make sure to get everyone's input before making a final decision.  

We incorporated specific actions in our script to help establish our character's personalities early on. For example, we've included a moment where Eva applies lip gloss before her date, which highlights her interest in makeup and helps convey her feminine side. This detail, along with her outfit, will reinforce that vibe and give the audience a clearer sense of who she is. Another key action we've added is a shot of the stalker shifting the car into reverse. We imagine this as a close-up, and while it is subtle, it serves as the first hint that something may go wrong, creating an underlying sense of tension. 

Example of how I envision filming the stalker shifting the car into reverse