We've been working hard to coordinate dates for reshooting certain parts of our film, but it’s proven to be quite challenging to get everyone on the same page. Unfortunately, our actress for Eva won’t be available for additional filming until after the final cut is due. This means that, while we initially hoped to reshoot some of the shots from the date scene, we will have to work with the footage we already have. To address the audio quality, we’ll be utilizing voice recordings to improve the sound during the date scene, ensuring it’s as clear and natural as possible.
Detailed Planning
However, the scenes that felt the most awkward primarily involved our stalker character, so we’ve decided to focus our reshooting efforts on his scenes alone. Fortunately, we were able to find a date when our stalker actor is available for reshoots. That said, this is cutting it very close to the final deadline, so we’re under some pressure. We’ll need to make sure that we capture the shots exactly as we envision them, as this will be our last opportunity to film any new material.
As the director, I’ve made sure that my team is fully aligned with how we want these new shots to look. We’ve had detailed discussions about the adjustments, with a particular focus on creating a seamless flow that will make the film feel cohesive. It’s crucial that these new shots don’t disrupt the overall pacing or tone of the film, so we’re all committed to getting it right and ensuring that the final product is as strong as it can be. With everyone on the same page, we’re confident that this reshoot will help smooth out the rough edges and make the film feel more fluid and intentional.
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| Text I sent to my team about our next filming date |

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